Postagens

Review: Sons of Apollo – MMXX (2020)

Review: British Lion – The Burning (2019)

Review: Rage – Wings of Rage (2020)

Review: Nightwish – Decades: Live in Buenos Aires (2019)

Review: Gary Clark Jr. – This Land (2019)

Review: Gov’t Mule – Bring on the Music (2019)

Review: Rise of the Northstar – The Legacy of Shi (2018)

Review: DarkTower – Obedientia (2019)

Review: Dr. Sin – Back Home Again (2019)

Review: Jinjer – Macro (2019)

Review: The Haunted – Strength in Numbers (2017)

Review: Saxon – The Eagle Has Landed 40 (2019)

Review: Blood Incantation – Hidden History of the Human Race (2019)

Review: The Who – Who (2019)

Review: Sons of Apollo – Live with The Plovdiv Psychotic Symphony (2019)

Review: Warlord – Deliver Us (1983, reedição 2019)

Review: Blood Red Throne – Fit to Kill (2019)

Review: Walls of Blood – Imperium (2019)

Review: Witch Cross – Fit for Fight (1984, relançamento 2019)

Review: Jordan Rudess – Wired for Madness (2019)